Monthly Archives: November 2020

Oudolf Field, Bruton

Echinacea, or coneflower in Oudolf Field, Hauser & Wirth, Somerset

Located in the tranquil Somerset countryside, Hauser & Wirth’s arts centre just outside Bruton is a destination both for modern art – and its gardens.  Landscaping for the entire site has been designed by Piet Oudolf, and the Oudolf Field, described as a one acre perennial meadow, is its centrepiece.

Entering the Field, grass paths of varying widths weave through the dense planting, allowing visitors to experience the immersive effect of bold blocks of grasses and flowering perennials.  Nearest to the gallery buildings is a concealed pond area which was attracting dragonflies on the day we visited in August, and at the top of the Field is a pavilion designed by Smiljan Radic.

Here in this meadow garden, created by one of the world’s best known landscape designers for an international art gallery, it seems like a good moment to consider the status of gardens as an art form.  In that context, the Oudolf Field feels very much like a living installation.

The term ‘meadow’ suggests planting that is loose and informal, and this introduces an immediate conundrum for the visitor.  The detail of Oudolf’s design is very tightly controlled, and while in August the overall effect of the mature planting is one of meadow-like irregularity, this belies a rigidity that underpins the design.

The perennial plants are placed and ordered with great precision – much as they might have been in a 17th century parterre.  But unlike a parterre garden, this design is not symmetrical,  and instead of being clipped into artificial patterns, the plants  are chosen for their wilder character, and allowed to keep their natural shapes.

Beds edged with corten steel meet manicured grass or gravel pathways, providing the crisp edges we’d expect in a traditional formal garden. This contrast between formality and informality is one of the trademarks of Oudolf’s style, working best when all the elements are meticulously maintained – which is certainly the case at Hauser & Wirth and a great credit to the skill of their gardeners.

Oudolf uses lots of contrasts in his planting, and some of these create almost painterly effects.  Hazy fine textured grasses are a favourite, as are the diffuse patches of green and yellow produced by perennial plants like Amsonia hubrichtii.  This interesting plant carries small pale blue flowers in May and June on stems covered in fine needle-shaped leaves.  These turn yellow and orange in autumn, providing intense splashes of colour amongst the paler grasses and forming a backdrop for flowers with an upright habit, such as veronicastrum and agastache.

In other areas, blocks of perennial flowers with rounded shapes like sedums (Hylotelephium), echinacea, helenium and various umbellifer species form a pleasing contrast with the flower spikes of persicaria, lythrum and perovskia.

Oudolf’s gardens are designed to reach their peak from late summer through autumn, and the plants are left to die back naturally – their structures providing winter interest and acting as a seedbank for birds.  In February and March everything is cut back to ground level and the growth cycle begins again.  Perhaps it is not intentional, but sculptor Richard Long’s Stone Circle (1980) located close to the pavilion seems to echo this circle of life theme.

Well worth a visit when travel becomes possible again – some links to Hauser & Wirth and Piet Oudolf’s website below:

Fine cut leaves of Amsonia hubrichtii turn from green to yellow in August, forming a hazy backdrop for late flowering upright spikes of pink veronicastrum and Eryngium agavifolium

Yellowing leaves of Amsonia hubrichtii form a striking contrast to the upright blue spike of agastache

Contrasting shapes of Hylotelephium (sedum) in the foreground with blue spikes of Perovski (Russian sage) directly behind

Detail Hylotelephium (formerly sedum)

Lythrum (centre) with Dianthus carthusianorum, or Carthusian pinks in the foreground

Contrast of texture and colour with purple Hylotelephium (sedum) in foreground, the yellow grass Carex elata ‘Aurea’ behind

Heleniums in flower

The pond at Oudolf field was attracting dragonflies on the day we visited. The flowering rush Butomus umbellatus in the foreground

Damera peltata, sometimes called the umbrella plant, in the pond area.

The Radic Pavillion

Plan of Hauser & Wirth, Somerset showing a simplified design of the Oudolf Field

Detail of corten steel edge to the borders juxtaposed with gravel and lawn

A large clump of yellow and orange heleniums provides a block of colour amongst the paler grasses and perennials

Oudolf’s design for the gallery courtyard. The late season grass Sesleria autumnalis brings a freshness to the planting

Further reading:

Hauser & Wirth, Somerset

oudolf.com

All about the show

Chrysanthemum ‘Mrs. Warren G. Harding’ at the US Agriculture Department’s Chrysanthemum Show, October 30th 1923  (all images via The Library of Congress)

A flower show can encompass anything from a local amateur competition in the village hall, to a huge event attracting a national audience.  These remarkable photographs from the Library of Congress record an annual exhibition of chrysanthemums hosted by the US Department of Agriculture and held in Washington in the early part of the 20th century, generally in November.

Commercial photographers from the Harris & Ewing studio attended the event over a period of years producing a varied record, including visitors from the top tier of American political society, members of the public, a gardener at the glasshouse, and details of the plants themselves.

Negotiating the narrow pathways of the glasshouse with its banks of fragile flowers, whilst persuading VIP guests to be photographed, cannot have been easy.  While some appear happy to pose, others are less enthusiastic.  But the candid expressions of the guests capture the event’s atmosphere perfectly, allowing the viewer privileged access to the show.

What of the chrysanthemums on display?  A close inspection of the glasshouse signage reveals the banks of smaller flowered plants closest to the walls are ‘pompons and single varieties for outside planting’ while the spectacular blooms in the central aisle are ‘Japanese and Chinese varieties for greenhouse cultivation’.  Each of these plants, grown individually in terracotta pots, is carefully staked to support the flower and labelled.  All the plants are staged in rows on a structure increasing in height like steps, showing all the flowers to their best advantage.

Originally from China, chrysanthemums have been cultivated in China and Japan for centuries, both for decorative purposes and for their medicinal properties.  The plants were introduced to Europe in the late 18th century, and by the mid 19th century, when The National Chrysanthemum Society was established in London in 1846, their popularity was well established.

In the United States greenhouse varieties imported from Japan started to become fashionable by the 1860s alongside the garden types.  By the time the Agriculture Department’s events were in their heyday, the latest varieties from American breeders were the stars of the show – often named after celebrities of the day, from Grace Coolidge to military figures like General Pershing and Admiral Beatty.  Another is named for the Garden Club of America.

Chrysanthemums bloom late in the season and their colours, from shades of yellow and bronze, to rusty reds and purples mirror the tones of autumn leaves.  Others come in shades of pink and even pure white.  Their forms are wide ranging, including single, semi-double, pompons, incurving where the florets or petals form a ball shape, or reflex where the florets curve downwards and overlap.

The early part of the 20th century was a golden period for chrysanthemum shows on both sides of the Atlantic, when gardeners working at large houses and estates were still employed in sufficient numbers to grow the large bloomed varieties that required glasshouse cultivation.  Aside from gardener Martin Graner photographed in 1913, the multitude of gardeners who raised the magnificent plants for the Department of Agriculture’s show, and displayed them so beautifully are undocumented, but the quality of their work lives on in this extraordinary record.

Alice Roebling, Mrs. Robt. Roebling, Chrysanthemum Show, November 3rd 1926

1916

1915

1917

from the show of 1922

Mrs. Wm. M. Jardine and Mrs. Coolidge, Chrysanthemum Show, November 5th 1925

Sec. Jardine and Mrs. Coolidge at Chrysanthemum Show, November 5th 1925

Mrs. Kellogg, Mrs. Jardine, Mrs. New, Chrysanthemum Show, November 3rd 1926

Martin Graner, gardener, inspects Chrysanthemum ‘Jessie Wilson’ (1913)

Chrysanthemum ‘Jessie Wilson’ (1913)

Chrysanthemum ‘Grace Coolidge’ (1924)

Joffre, Joseph Jacques Cesare. Marechal of France 1916. Chrysanthemum ‘General Joffre’ (1917)

Japanese seedling 1917. General Pershing (1917)

Chrysanthemums at the Annual Dept. of Argric. Show, Wash., that have been named after celebrities. Lft. to rt. Grace Coolidge, Gen. Pershing, Princess Nayako, Secy. Meredith, Admiral Beatty. 1924

between 1915 and 1923

This over-exposed photograph from 1921 shows how much light streams in through the glasshouse roof even in November

Further reading:

Harris & Ewing Photographers

NCS USA  Chrysanthemum classifications from the National Chrysanthemum Society, USA

NCS UK  National Chrysanthemum Society, UK